I'm guessing this must be from this recording? VIZZUTTI MEETS ARBAN Vizzutti Meets Arban: Wonderful new editions of eight famous Arban solos recorded with piano accompaniment.
Not a fan of his interpretation of the intro and theme (just too slow for my tastes) but his interpretations of all the variations are wonderful in my opinion, there's so much clarity with it
don't understand why he doesn't make any contrast in the intro, where a big crescendo is in the piece. And then we see clearly a "come back" with a lot of melancholy
Hi, I want to buy this arrangement for a trumpet student of mine. Does anyone know where I can buy it? Most places I find have a simplified piano part, and they are missing the melodic accompaniement of the piano...
It's this book: www.jwpepper.com/Vizzutti-Meets-Arban-Mead-Pno-Accmp/5862727.item#/submit You might be able to find it cheaper elsewhere, but that's the book the piano accompaniment is in (all arranged by Andrew Watkin).
+Armando Giordano Well if disliking this version is a matter of taste, then perhaps you'd like to enlighten us as to the versions we should be listening to, so that we may improve our musical taste to your own obviously high level.
+Geoff Valenti well that s precisely the answer i would have expected from a person who doesn t know that taste is a free and personal concept, wich brings us to the reason why you published your first comment, sadly i say ,again.
Just love the way you can follow every note straight out of the Arban unlike Wynton M's version - which is "Brilliante" by the way! This version I have learnt so much from, for my own development. Thanks Allen!
Vizzutti has not always been a my favorite of trumpet players. Now, start to be. In this presentation, he is perhaps the best ever interpretation of the Fantasie brilliant. Including the Wynton Marsalis recording. Herbert Clarke was able to turn over in his grave. Triple-tongue is really beautiful.
....Mr Vizutti does NOT have a thin sound like some critics over the years have claimed. He has a compact/focused and precise sound NOT thin or shrill or even small. I heard him play at Bradley University Jazz Fest in Feb. 2011 in a small carpeted room. His sound was unbelievably precise and had a perfect zip and sizzle but also warmth when he wanted that. Complete control this man has! Very nice and warm man too!
I personally asked Mr. Vizzuti in 2011 what mouthpiece he plays on, and it is a Yamaha custom made for him (I wrote down the size but lost it). He said there really is no Bach equivalent but the closest Bach would be a 3E. He also said the cup on his Yamaha mpc is a little shallow and that most all players, especially students play on too big equipment. Which makes most trumpeters work too hard for an all around good range. He does use this one mouthpiece for all of his solo AND lead playing. H
@kevinmorgan2100 Everyone is entitled to their own opinion, but I wouldn't describe his tone as "thin" I would feel better saying that it's more "compact" sounding because it's still a pretty full sound, but its more focused.
@Joebone18974 -that's just b/c it's kind of darkened out. In this pic it's the Marcinkiewicz copy of his custom Schilke. The Schilke had a rim a little smaller than the 14A4 but with a bowl shaped cup and a #28 throat, the backbore was a standard "c" I think.
Vizzutti has always been my all time favorite trumpet player. I was searching youtube yesterday looking for a recording of this song to inspire me to continue perusing this piece as an audition piece and....wow. I have fallen in love with this piece once again and I can't wait to really dig into it once more!!
Beautiful!
You are my idol
He is a machine!!!!😱😱😱
Miellyttävää rauhaisaa musisointia, jota kelpaa kuunnella! t. Kale K
not my cup of tea. i would prefer a fuller sound, a better interpretation and good time
Brilliant
I'm guessing this must be from this recording? VIZZUTTI MEETS ARBAN Vizzutti Meets Arban: Wonderful new editions of eight famous Arban solos recorded with piano accompaniment.
<3
I play this piece for audition just made it
Sarah Alvarado Lol same except I️ didn’t make I️t 😂😂😂
The best way vf
controlled sound with brilliant temparament...very articulate
Not a fan of his interpretation of the intro and theme (just too slow for my tastes) but his interpretations of all the variations are wonderful in my opinion, there's so much clarity with it
don't understand why he doesn't make any contrast in the intro, where a big crescendo is in the piece. And then we see clearly a "come back" with a lot of melancholy
what other musicians who play this piece do you recommend?
Hi, I want to buy this arrangement for a trumpet student of mine. Does anyone know where I can buy it? Most places I find have a simplified piano part, and they are missing the melodic accompaniement of the piano...
I know this is a bit late, but the only version I know is that one behind the arban book
It's this book: www.jwpepper.com/Vizzutti-Meets-Arban-Mead-Pno-Accmp/5862727.item#/submit You might be able to find it cheaper elsewhere, but that's the book the piano accompaniment is in (all arranged by Andrew Watkin).
There's a book, I think it's Rubanks elementary method; I remember being near the end of that book. Also, Arbans Complete Method has it
xD good luck unless hes a talented university student
I love how in the video his last name is spelled differently than in the title.
Brandon Colmark it's not
Matthew Loud That comment was two years ago it’s probably been fixed
I wish some day i can play it as great as you are playing it 🎺
Great playing. Perhaps those who choose to dislike this would care post their own version on UA-cam, so we could hear them making a better job of it!
+Geoff Valenti I'm sure they prefer hearing Marsalis and his version.
One does not simply dislike because he/she can do better, it s called taste and i think it s sad that on you tube i often see comments like yours
+Armando Giordano Well if disliking this version is a matter of taste, then perhaps you'd like to enlighten us as to the versions we should be listening to, so that we may improve our musical taste to your own obviously high level.
+Geoff Valenti well that s precisely the answer i would have expected from a person who doesn t know that taste is a free and personal concept, wich brings us to the reason why you published your first comment, sadly i say ,again.
good
molto bravo
I wish I could play like that.. I'm going to play this at my exam (D).. And I absolutely LOVE this song!!
Me too ! :D
Good luck!
You too !
Me too!
Ghehe wow really?
Allen plays it like his walking on clouds. I love it!
Amazing!
Just love the way you can follow every note straight out of the Arban unlike Wynton M's version - which is "Brilliante" by the way! This version I have learnt so much from, for my own development. Thanks Allen!
Isaac Brown learned *
Where is this recording from?
I'm not sure
Just beautiful. Allen is a true treasure. Plus, he does it ALL...
Vizzutti has not always been a my favorite of trumpet players. Now, start to be. In this presentation, he is perhaps the best ever interpretation of the Fantasie brilliant. Including the Wynton Marsalis recording. Herbert Clarke was able to turn over in his grave. Triple-tongue is really beautiful.
I suggest you guys buy the Allen Vizzuti trumpet method.
solo: 0:00 Theme: 2:50 V1: 4:15 V2: 5:15 V3: 6:17
0:00 2:50 4:15 5:15 6:17
Verdaderamente, esto es algo sorprendente, espero llegar al nivel musical que tiene Allen, y por que no superarlo, fantástico me fascino ....
It's just translated to English, that's all.
it's Fantasie brilliante right? not brilliant fantasie
TheDiensn translated its brillante fantasies
Fantasticoo.... non ci sono parole per descrivere quanto è bravo Grande Allen :)
....Mr Vizutti does NOT have a thin sound like some critics over the years have claimed. He has a compact/focused and precise sound NOT thin or shrill or even small. I heard him play at Bradley University Jazz Fest in Feb. 2011 in a small carpeted room. His sound was unbelievably precise and had a perfect zip and sizzle but also warmth when he wanted that. Complete control this man has! Very nice and warm man too!
JohnnyGutierrezTrumpeti agree... thin, i wouldnt say "thin". not the right word. his sound is smaller, and on the brighter side though.
I personally asked Mr. Vizzuti in 2011 what mouthpiece he plays on, and it is a Yamaha custom made for him (I wrote down the size but lost it). He said there really is no Bach equivalent but the closest Bach would be a 3E. He also said the cup on his Yamaha mpc is a little shallow and that most all players, especially students play on too big equipment. Which makes most trumpeters work too hard for an all around good range. He does use this one mouthpiece for all of his solo AND lead playing. H
You can now buy it from the Pickett Blackburn website!
I feel so proud that I can at least play the introduction from my Arban's book, and hope that maybe someday I can play as cleanly and smoothly as him.
The end sounds similar to Carnival of Venice :3
its not like there the same composer
buena interpretacion y que tranquilidad para tocar
@kevinmorgan2100 Everyone is entitled to their own opinion, but I wouldn't describe his tone as "thin" I would feel better saying that it's more "compact" sounding because it's still a pretty full sound, but its more focused.
This is Allen, I have this book, he is playing on a cornet with a 5C mouthpiece. The book is available through DeHaske music.
This can't be vizzuti. But it's still a good example
Dean Patterson yes it is it’s just him a little older
Frankly, no doubting the the technique, however I do find the tone very thin with little warmth
I don't think it's him playing. Even though it's a good performance.
On Tuba ?? i think yes.. <:
@Joebone18974 -that's just b/c it's kind of darkened out. In this pic it's the Marcinkiewicz copy of his custom Schilke. The Schilke had a rim a little smaller than the 14A4 but with a bowl shaped cup and a #28 throat, the backbore was a standard "c" I think.
i love this interpretation
@TechOneMN I have to play it for Missouri All State and All District auditions this year too. For trombone.
@Eumismoable some time there are more who don;t have any musical ear
One of the best interpretation !
Vizzutti has always been my all time favorite trumpet player. I was searching youtube yesterday looking for a recording of this song to inspire me to continue perusing this piece as an audition piece and....wow. I have fallen in love with this piece once again and I can't wait to really dig into it once more!!
Veery good. I love it.